Cort G290FAT BBB El. gitara

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Neck and Fretboard
Aside from the beautiful tonewoods used, The fretboard is a compound radius, moving from 12” to about 16”. The truss rod is a spoke nut system, easily accessible at the base of the neck. This makes truss rod adjustments easier and more precise.

The neck is somewhere between a thin shredder neck and a fatter S-style vintage neck. It’s thinner than a Fender Standard Strat, but not nearly as thin as an Ibanez. Cort calls it an Ergo-V profile. The rounded heel joint makes playing the higher frets a breeze.

Bridge and Tuners
The tuners are Cort-branded staggered and locking tuners. The staggered tuners eliminate the need for string trees, keeping the headstock nice and clean. The locking mechanism is an easy to use thumbwheel on the backside of the tuner.

The bridge is a two-point floating system with a drop-in tremolo arm. There is no need to thread the arm into the tremolo, it’s held in with a grub screw. The bridge saddles, tremolo block, and baseplate are all steel.

Controls
The controls are simple and straightforward with one volume, one tone, and a 5-way pickup selector switch. Positions 1, 3, and 5 activate the bridge, neck, and both combined as you would expect.

Positions 2 and 4 use either both outer coils or both inner coils depending on the position. Position 2, closest to the bridge, activates both outer coils, while position 4 activates both inner coils.

Pickups
The pickups are Cort’s VTH-77 pickups. The “VTH” stands for “Voiced Tone Humbucker.” Cort describes them as having a higher output, with good clean, classic rock, and bluesy tones as well. The specs note Alnico V bar magnets.

The tone profile chart on Cort’s description page is accurate. The pickups seem a bit more biased toward midrange and treble. They have an excellent clean tone, and sound great with some drive and distortion.

Last but not least, the output jack is flush-mounted on the side, and has a high-quality feel to it. The jack provides a solid connection, and I don’t foresee any issues with it.

Tone
The sound of the guitar is excellent. I mostly play using clean tones, or a bit of crunch. The rhythm and lead positions are both very capable. The bridge pickup has some extra treble bite that you would expect, and the neck pickup emphasizes more bass and mid-tones.

The tone is well-balanced and clear. There is some brightness, perhaps amplified by the maple neck and fretboard and the swamp ash body. Note sustain is excellent, as is individual note articulation. Positions 2 and 4 give you access to very usable single-coil sounds. Position 2 especially has a nice Strat or Tele-style twang.

The guitar is capable of producing a variety of tones for different genres, and would be well-suited to both recording and performance.

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